BERLIN 2.0 Stuttgart, Germany
Death Pop from Stuttgart
Album "Scherbenhügel" OUT NOW (Flight13 Records)
linktr.ee/berlin.zwei.null
If you like BERLIN 2.0, you may also like:
Hammerhead - Nachdenken über Deutschland
by Hammerhead
supported by 14 fans who also own “Übernacht”
… was listening to terveet kädet - horses during the last days and felt reminded of the white hammerhead album… now this new hits me out of the blue and fills my need for hardcorepunk :D thank you hammerhead in 2024
go to album
Die Gespenster und der Schnee
by Duesenjaeger
supported by 12 fans who also own “Übernacht”
Großartige Platte...fühl mich zuhause. Human Untergang ist gerade der treffenste, aber die gesamte Scheibe ist mehr als rund. 😘
go to album
Pain Is Forever and This Is the End
by MANTAR
supported by 10 fans who also own “Übernacht”
I love Mantar. Theirs is one of the most impressive live performances I have ever seen: primitive, sweaty and more energetic than most coal power stations. Having such a beloved artist release a new album is always a bit scary, especially after three very strong offerings in a row. Still, Mantar remain untouchable and return with their most accessible (read: 'still kicking you in the balls until your teeth pop out') release so far. Odysseus might be their best song yet. The kings are back.
go to album
From the first deadened cowbell to the last dissonant guitar interval, Dutch quartet Geo's new record is shaped for impact.
go to album
Breathless indie pop from Oakland group neutrals, who mine the classic spirit of Sarah Records to terrific result.
go to album
Ornamental Hermit
by Beige Banquet
Across their second full-length, the London post-punks offer up thrumming motoriks, industrial tones, and sullen sing-a-longs in abundance.
go to album
All That Has Never Been True
by ULTHA
supported by 10 fans who also own “Übernacht”
One of the best black metal bands of the last 8 years, which means they're beyond the boring tropes of the label. Intelligent and innovative with music geared towards the emotive ends of the work, not an adornment of scene badges or theatrical misanthropy.
go to album
